Red V-Raptor VV

V-raptor

A compact and powerful system, fully functional in its smallest form or ready to be built out for any style of production.

V-raptor sensor options

V-raptor is available with two sensor options. Users can either choose the versatility and lowlight performance of the multi-format 8K VV + 6K S35 sensor or the dedicated 8K S35 version as an option for 8K capture of their S35 lenses.

Optimized lens coverage

With two sensor options, customers can choose the sensor format that is most compatible with their lens choices and the one that best suits their shooting style.

Frame rates

Every camera in the Red lineup offers powerful frame rate performance. Shooters can add unique elements like timelapse or speed-ramping to narrative work, pull sharp stills to capture any moment, or replace their specialty-cam shots.

Compact body measuring only 6" x 4.25" x 4.25" and just over 4 lbs with integrated RF Mount
Rugged dust and water resistant design
Robust professional I/O array including 2x 12G SDI outputs and 5-pin audio connector w/phantom power capability
Integrated and easy-to-navigate control display
USB-C interface for remote control, ethernet offload, and more
Compatibility with RED Control app

V-RAPTOR™ 8K VV 35.4 Megapixel CMOS

EFFECTIVE PIXELS
8192 × 4320

SENSOR SIZE
40.96 mm x 21.60 mm (Diagonal: 46.31 mm)

DYNAMIC RANGE
17+ stops

KEY FEATURES
MOUNT TYPE
Integrated Locking RF Mount

Supports /i PL Lenses with RED RF to PL Adapters

Supports Canon RF lenses or Canon EF lenses via compatible Canon RF to EF mount adapter

BATTERY TYPE
Integrated V-Lock battery interface optimized for Micro V-Lock Batteries

RECORDING
MAX DATA RATES
Up to 800 MB/s using RED branded or other qualified CFexpress media cards1

REDCODE® RAW
MAX FRAME RATES
120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES
(PROJECT TIME BASE)
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions

BEST AVAILABLE
REDCODE® SETTINGS
REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps

REDCODE® RAW
ACQUISITION FORMATS
8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1

APPLE PRORES
Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT.
4K (4096 x 2160) and 2K (2048 x 1080) up to 120 fps
Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) 60 fps.